With ten years' experience in tattooing, Adrian Rod, a native of Venezuela, is already considered a true master of realism at just 35 years of age. His technical expertise, which he developed as a self-taught artist, has been refined over the years, thanks in particular to his in-depth study of the great masters of Baroque painting, from which he has learned valuable lessons about the use of light and its fundamental role in art.
You taught yourself tattooing, how did it happen for you?
My journey into tattooing was self-taught. From a young age, I was always drawn to art, especially graffiti and digital design. This passion led me to explore tattooing as a more permanent and personal form of expression. I began practicing with friends and, over time, honed my technique until it became my profession.
Did you follow any artistic training?
Although I didn’t pursue formal artistic training, I’ve always been an avid student of art. I’ve dedicated time to studying classical and contemporary works, taking painting classes with teachers who have significantly influenced my style and technique.
What was the scene like when you started?
When I started in the tattoo world, the scene was very different from today. There was less access to information and resources, making learning more challenging. However, this challenge pushed me to seek a more united and collaborative community among artists.
How do you approach realism, by copying?
Regarding realism, my approach goes beyond mere copying. I strive to capture the essence and emotion of the subject, interpreting details and playing with light and shadows, contrasts to bring the image to life on the skin. For me, more than just “resembling,” it must convey and anatomically, the composition should be adapted to the body almost as if the person was born with the tattoo. Contrast isn’t just about light and shadow; it also involves volumes and textures. When there’s a good balance between them, the piece has more readability and harmony.
You then came to Europe with very clear objectives for your career, can you tell us about them?
Upon moving to Europe, I had clear objectives: to expand my artistic horizon, learn from different cultures and styles, and establish myself in a broader and more diverse market. This experience has greatly enriched my career and has undoubtedly allowed me to grow as an artist. Stepping out of my comfort zone has always pushed me further and keeps me motivated.
Your work on textures is quite impressive, whether it's the rendering of stone or hair for example. Is the secret in working with detail and light?
My work on textures, whether representing stone or hair, is based on meticulous attention to detail and a deep understanding of how light interacts with different surfaces. The secret lies in observing and interpreting these interactions to achieve impactful realism. It’s a lot of study, and while executing it, I often remind myself to go slow and in order to achieve it.
What role does painting play in your artistic activity?
Painting plays a fundamental role in my artistic activity. It inspires me and provides a solid foundation in color theory, composition, and techniques that I apply to my tattoos.
What specific periods of painting interest you?
I’m particularly drawn to Baroque art, especially artists like Caravaggio, Rubens, and Rembrandt. The emotional intensity and masterful handling of light and shadow in their works have deeply influenced my style.
Where is the balance between the canvas of the painting and the skin of a client?
Balancing between the canvas and the client’s skin involves adapting pictorial techniques to the living and dynamic medium that is the skin. It’s essential to consider how the moving body will affect the perception of the tattoo and how it will evolve over time.
Another of the limits you have yet to overcome is the loss of colour intensity.
The loss of color intensity is a constant challenge. To mitigate it, I use high-quality pigments and techniques that ensure greater durability. I almost always give my tattoos two layers; that is, once the first session heals, I go over it again. This helps me reinforce details and contrast the piece to make it more solid and lasting. Additionally, I educate my clients on the aftercare necessary to maintain the tattoo’s vibrancy. As an artist, I’m always seeking to progress. I participate in conventions, workshops, and collaborate with other artists to exchange knowledge and techniques. Although I don’t take formal courses, I believe continuous learning is essential for artistic evolution.
What advice would you give to others like you who are striving for artistic excellence?
To those seeking artistic excellence, I advise perseverance, dedication, and an unwavering passion for art. It’s essential to be open to constant learning, accept constructive criticism, and never stop exploring new techniques and styles. Passion and love for what you do will set you free, but consistency can take you further. Today, I owe everything to tattooing. + IG : @adrianrodtattoo
